A day’s exploration event to explore the art of resistance — both a honed craft and a creative output.
This event is made up of two parts.
We will begin with an afternoon panel discussion (noon–1 pm) exploring the history and enduring relevance of ‘protest songs.’
In the evening (4–5 pm), we will be treated to an excerpt of an award-winning performance centering on the work and legacy of Nina Simone.
While we encourage you to attend both the panel discussion and the performance, you are welcome to join either part individually.
Find out more at www.sjc.ox.ac.uk/discover/events/songs-of-resistance-panel-discussion-and-performance
As normal in #Oxford, this is a VERY #mainstreaming path to talk about protest music and songs. Kinda interesting, but completely missing the grassroots and the creative mess that comes with “native” paths of protest music and songs.
They don’t talk about the grassroots: Greenham, “you can’t kill the spirit”, would hold the police at bay as long as the women would sing. At rainbows gathering, word of mouth intentional gatherings that have been happening in hundreds of countries for the last 50 years. When the police arrive to evict the thousands of hippies squatting on the land they surround them to hold hands and singing at them, this is often affective at confusing, stopping and mediating the police violence.
The tactical and the strategic, they only talk about the strategic.
They do talk about the shaping of funding of art and how it is a force for #blocking