St John’s Cinema Club and the TORCH African Languages, Literatures and Cultures Network are excited to welcome Senegalese online television series screenwriter, director and producer Kalista Sy.
The event will start with a brief introduction by Dr Estrella Sendra (Department of Culture, Media and Creative Industries at King’s College London), followed by the screening of the first episode of the series Maîtresse d’un homme marié (Mistress of a Married Man) and a discussion with the filmmaker. Khadidiatou Sy, known as Kalista Sy, is a Senegalese screenwriter, director and producer, who became famous in Africa and beyond following the success of her first series, Maîtresse d’un homme marié (Mistress of a Married Man), known as MDHM. MDHM is the first Senegalese women-led television series where women are placed at the very centre of the narrative. The series, first released on 25 January 2019, and broadcasted online via YouTube, became viral, with over 5 million viewers per episode, and being compared to Sex and the City in international media. In 2019, following the international success of MDHM, Kalista Sy made it to the BBC’s list of the 100 most inspiring and influential women from around the world.
———————————–
The trubbles of middle class African life, dressed in postmodern feminism. A Women’s view of plastic black consumerism.
It’s the #deathcult playing out in the current mess, dressed in western ideas of social norms. It’s not that the life and experiences are not real, it is that the culture they push, and it’s assuming are the problem that I am talking about. The videos try and mediate a “better” path within this #mainstreaming “common sense”.
The is no #lifecult in this TV, the reflection of mess makes more mess. The ideology of the era, the filmmaker says I am the radical, the feminist, people look to me.
The filmmakers are funded by product placement, this is thought out the videos, part of the middle class assumptions and binding to the subject. “People buy their identity” the brands push this into the film’s. This is a #NGO path being pushed throughout Africa. This is the “sex in the city” world view translated to local “common sense” in this it is pushing liberal norms.
One question, “very middle class, is this represented as aspiration. She says this look and aspiration is “normal” there, bueity is their strength. Mental health and sexuality to grow the couching and Therapy industries.
A question of the capitalism of the production, the root story is a reaction agenst male repression, seed money from the husband, then support from the women, it is run at a local level, now it is “sponsored” to tell the stores of the people who pay the bills, this is the sustaining push.
It ends in heroic liberalism, and individualism fighting the good fight, by pushing western #mainstreaming
This is a 
